In this project for Angelo Mota and Admilk, I completed 7 shots in just about 2 weeks in December 2020 while working with Noah Catan and Gavin Montgomery. For my shots, I worked on adding spark and smoke assets, where I improved on my tracking, rotoscoping, and color matching skills in Nuke.
Working on a professional project like this gave me a new perspective on the industry-standard compositing pipeline, where I learned to apply and view LUTs inside of Nuke in a log-linear-log 4k delivery workflow.
